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“No more.”And yet, the article mostly focuses on Seinfeld’s quest to justify dating a woman 21 years younger than him. Schneider recounts an interview Seinfeld did with Howard Stern, in which Stern, as he would, jokes about Seinfeld being the sort of boogeyman in a windowless van that parents warn little children about.Howard Stern homed in on the May-August aspect of the relationship when the radio host interviewed his old friend last spring.In Japan, Shosh finally started to feel like a coherent person with clear wants and desires, and last night — happy, confident, excited to “become Mrs.Byron Long” — she couldn’t have been further from the awkward hanger-on we met in season one.“She learned from her mistakes,” Allison Williams told Vulture of Shoshanna’s evolution.

Yet as we learned last night, the women’s distance from one another, and Shosh’s peripherality, are no accident (and Dunham and her co-writers are much more savvy and self-aware than people tend to give them credit for). She’s been falling in love with a guy named Byron that she met at a Sprinkles vending machine, and she’s doing just great, no thanks to Hannah Horvath and her has always been a show about the complex, messy process of growing up and finding oneself, a road riddled with backtracks and false starts (like last season, when Shoshanna seems to return from Japan a more mature woman and then regresses spectacularly, blowing up her relationship over an omakase lunch).But as the finale approaches, it’s looking like the show will allow some of its characters a degree of self-actualization — and that at least for Hannah and Shosh, the characters who have evolved the most, finding oneself is as much about letting go as it is about building something new.If this episode is Hannah’s version of the “Why I’m Leaving New York” essay, it’s Shosh’s take on “Why I’m Leaving the Friend Group.” Forced to step out of her own engagement party to legislate a friendship crisis between three people she barely sees, Shoshannasays all the things that viewers have said all along — that her friends are selfish and immature and toxic — and that she needs to leave them behind in order to become the person she wants to be.Explaining that she has new friends now (“pretty girls” with “jobs and purses and nice personalities”), Shosh announces that she is done trying to hold on to whatever is: “I think we should all just agree to call it,” she says, as the camera pans over her friends’ stunned faces.For a show that has always reveled in ambiguity, this is a pretty clear closing statement. There have only been 12 scenes featuring all four main characters, and these group interactions tend to exacerbate the feeling that, as Margaret Lyons once put it, “there’s no way” these people would still be hanging out together.

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His sitcom, which was on its way to becoming one of the most celebrated shows in television history, won an Emmy in the category of “Outstanding Comedy Series” for the first and only time.

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